1) Have you ever been betrayed?
Yes I have been betrayed before.
2) Give an example of when you were betrayed? How did
you feel? What did you do?
I was betrayed by two of my closet
friends at the time, a boy and a girl. The boy and I were dealing for a very
long time but just never made it official, but to make a long story short, the
girl who was suppose to be my best friend at the time, had one heavy making out
session with him and she knew how I felt about him. My sister and the same girl
were the ones who came and told me what went down between them.
After
finding out such horrible news, I felt so surprised, confused and hurt. Knowing
that we weren’t together, I honestly wouldn’t mind him making out with another
girl, I just didn’t expect it to be my best friend so I found that the both of
them were wrong mainly the guy though.
When
the matter was brought to the light, I basically stopped talking to the both of
them for a while but I saw the girl often so we were still friends just not as
close. To my surprise they actually got together and when they broke up the guy
had the nerves to come and tell me he wanted me back. I just had to set him
straight and let him know he had me once upon a time, he messed around with my
best friend and now he has the heart to say he want me back. Ha! I’m sorry but
you would not get another chance with me, it doesn’t work like that.
3) Have you ever felt that you were betrayed and in the end
misunderstood the situation?
Yes there was a point in time when I
felt like I have been betrayed and in the end I totally misunderstood the
situation.
4) Look at the various Shakespeare plays over the years that
you have studied. Do you notice that characters in the text always seem to
resort to violence, trickery or evilness? Comment.
Over the years, many Shakespeare
plays that I have studied all had some form of betrayal taking place and in
most cases the characters always seem to result to some form of violence,
trickery and even evilness. Examples can be found in his plays such as: Much
Ado About Nothing, Hamlet, The Merchant of Venice and Romeo and Juliet.
Hamlet was
a perfect example of betrayal which ended in violence. It was when Hamlet’s uncle killed his father
because he was jealous of him and wanted the crown. The ghost of Hamlet’s
father returned to Hamlet and asked him to revenge his life. Throughout the
rest of the play many characters lost their lives.
6) What is The Elizabethean Theater? Historical
back ground? Picture of the global theater.
Elizabethan Theatre Historical Background
The history of the Elizabethan Theatre is a short and turbulent one as the Elizabethan Theatre Timeline will clearly indicate. The success and popularity of the Elizabethan theatre during the life of Shakespeare is an outstanding success story for the theatrical entrepreneurs of the era. The Elizabethan era saw the rise in the popularity of theatres and during this time the staging of plays moved from renovated inn-yards to the building of huge outdoor amphitheatres, such as the Globe, which were used for the summer seasons and the building or renovation of indoor theatres, used in the Winter seasons and by royalty, called Playhouses. The history of the Elizabethan Theatre started in 1576 as the Elizabethan Theatre timeline shows.
The history of the Elizabethan Theatre is a short and turbulent one as the Elizabethan Theatre Timeline will clearly indicate. The success and popularity of the Elizabethan theatre during the life of Shakespeare is an outstanding success story for the theatrical entrepreneurs of the era. The Elizabethan era saw the rise in the popularity of theatres and during this time the staging of plays moved from renovated inn-yards to the building of huge outdoor amphitheatres, such as the Globe, which were used for the summer seasons and the building or renovation of indoor theatres, used in the Winter seasons and by royalty, called Playhouses. The history of the Elizabethan Theatre started in 1576 as the Elizabethan Theatre timeline shows.

7) What is The Theatre of the Absurd? Videos,
pictures.
'The Theatre of the Absurd' is a term coined by the critic Martin Esslin
for the work of a number of playwrights, mostly written in the 1950s and 1960s.
The term is derived from an essay by the French philosopher Albert Camus. In
his 'Myth of Sisyphus', written in 1942, he first defined the human situation
as basically meaningless and absurd. The 'absurd' plays by Samuel Beckett,
Arthur Adamov, Eugene Ionesco, Jean Genet, Harold Pinter and others all share
the view that man is inhabiting a universe with which he is out of key. Its
meaning is indecipherable and his place within it is without purpose. He is
bewildered, troubled and obscurely threatened.
The origins of the Theatre of the Absurd are rooted in the avant-garde
experiments in art of the 1920s and 1930s. At the same time, it was undoubtedly
strongly influenced by the traumatic experience of the horrors of the Second
World War, which showed the total impermanence of any values, shook the
validity of any conventions and highlighted the precariousness of human life
and its fundamental meaninglessness and arbitrariness. The trauma of living
from 1945 under threat of nuclear annihilation also seems to have been an
important factor in the rise of the new theatre.
The Theatre of the Absurd is
a theatrical style originating in France in the late 1940's. It
relies heavily on existential philosophy, and is a group
for show business of absurdist fiction, written by a number
of playwrights from the late 1940s to the 1960s, as well as the
theatre which has evolved from their work. It expresses the belief that, in a
godless world, human existence has no meaning or purpose and therefore all
communication breaks down. Logical construction and argument give way to
irrational and illogical speech and as its ultimate conclusion, silence.
The Theatre
of the Absurd follows the concepts of existential philosophy. The theatrical
style aims to show a world where man is born with only himself and nothing else
(no God), and must earn his place in the metaphysical world. Often
Absurdist works utilize theatrical conventions such as, but not limited to
Mime, Gibberish, Heightened Language, Codified Language and Vignette.
The pieces generally lack conflict, and involve high levels of contrast,
alienation, and irony, for example, a funeral scene performed by actors
happily, or a birthday scene performed somberly.

8) Synopsis of Williams Shakespeare? Life, work,
plays he has written, tragedies, history, comedies and the time period
that they were written in.
In Stratford-upon-Avon on the 26th of April
1564, William Shakespeare was born to John Shakespeare and Mary Arden. Out
of eight children, William was third for his parents and the only eldest
surviving son. At the young age of 18, William married the 26-year-old Anne Hathaway. During the years they had three
children, Susanna and the twins Hamnet and Judith in the
case being male and female respectively.
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.
In England he is known as the Bard of Avon. His surviving works include
some collaborations which
consist of about 38 plays, 154 sonnets, two long narrative poems, and several other poems. Between 1585
and 1592, he began a successful career in London as
an actor, writer, and part owner of a playing company called the Lord Chamberlain's Men, later
known as the King's Men. His
early plays were mainly comedies and histories, genres he
raised to the peak of sophistication and artistry by the end of the 16th
century. He then wrote mainly tragedies until about
1608, including Hamlet 1601, King Lear 1605, and Macbeth 1606, considered some of the
finest works in the English language. In his last phase, he wrote tragicomedies, also
known as romances, and collaborated with other playwrights. Some of the plays
he wrote are: Romeo and
Juliet 1595, Merchant
of Venice 1596, Much Ado
About Nothing 1599, A
Midsummer Night's Dream 1595 and Julius
Caesar 1599. When writing his plays, William Shakespeare
writes them in his own conventional style. He wrote them in a stylised
language that does not always spring naturally from the needs of the characters
or the drama. The poetry depends on extended, sometimes elaborate metaphors and
conceits, and the language is often rhetorical—written for actors to declaim
rather than speak.
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